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致敬匠心 傳承經典——走進國際藝術名家張景效

2019-04-18 09:10:42 來源:中國金融商報網

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張景效,滿族,中共黨員,1938年2月7日生于北京,山東龍口人。1958年畢業于新疆工學院【原中蘇礦山工業技術專科學校】同年分配到新疆克拉瑪依油田工作。先后任實員,助理技術員,黨委宣傳干事,工會干事,勞資定額員,試油領班,統計員,計劃員,經濟辦公室主任,計劃科副科長,計劃科長,副總經濟師,總經濟師,新疆石油勞動服務總公司副總經理,華油【新疆】企業集團副總經理等職。

Zhang Jingxiao, Manchu, a member of the Communist Party of China, was born in Longkou, Shandong Province, on February 7, 1938. He graduated from Xinjiang Institute of Technology in 1958 and was assigned to the Karamay Oilfield in Xinjiang in the same year. He has successively served as interns, assistant technicians, propaganda officers of Party committees, trade union officers, labor quotas, test leaders, statisticians, planners, Economic Office directors, deputy heads of planning departments, deputy heads of planning departments, deputy economists, general economists, deputy general managers of Xinjiang Petroleum Labor Service Corporation and deputy general managers of Huayou [Xinjiang] Enterprise Group.

張景效作品1

書法是他的業余愛好。自幼受母親關云青的影響,喜歡寫字。但是沒有系統的學書法知識,沒有名師指點,僅僅是愛好而已。退休前張景效是克拉瑪依市書法家協會會員,新疆自治區書法家協會會員,中國石油書法家協會會員。退休后他定居北京懷柔,現在是懷柔區書法家協會會員,中國中老年書畫學會會員,北京及中國老年書畫研究會會員,中國楹聯書法藝術委員會會員。同時還被多個知名度很高的書畫院聘為院士、書法師。

Calligraphy is his hobby. Influenced by her mother Guan Yunqing, she likes to write. But there is no systematic learning of calligraphy knowledge, no expert advice, just hobbies. Before retirement, Zhang Jingxiao was a member of Karamay Calligrapher Association, Xinjiang Calligrapher Association and PetroChina Calligrapher Association. After his retirement, he settled in Huairou, Beijing. He is now a member of Huairou Calligrapher's Association, the Chinese Society of Calligraphy and Painting for the Middle and Old Aged, the Beijing and Chinese Society of Calligraphy and Painting for the Elderly, and the Chinese Couplet Calligraphy Arts Committee. At the same time, it has been employed as academician and calligrapher by many well-known calligraphy and painting academies.

張景效作品2

張景效先生的書法作品多次參加省、市、全國性書法展(克拉瑪依市,懷柔區,北京市農林系統,老年系統,中國石油系統,文化部和省、市書協各大書畫院組織的全國性書法展)并且獲得不同獎項,從鼓勵獎到一等獎、金獎等。并獲得“實力派書法家”、“百佳書法家”、“文明使者”和“人民藝術家”榮譽稱號。多幅書法作品還被編入《中國儒商墨韻》等數十部書法作品集,個人出版了《戈壁墨痕》書法作集。

Mr. Zhang Jingxiao's calligraphy works have participated in provincial, municipal and national calligraphy exhibitions (Karamay, Huairou District, Beijing Agricultural and Forestry System, Old Age System, PetroChina System, National Calligraphy Exhibition organized by the Ministry of Culture and major calligraphy and painting academies of provinces and municipalities) and won different awards, ranging from encouragement awards to first-class awards and gold awards. And won the honorary titles of "Strength School Calligrapher", "Baijia Calligrapher", "Civilization Messenger" and "People's Artist". Many calligraphic works have also been compiled into dozens of collections of calligraphic works such as "Chinese Confucian and Merchant Moyun", and a collection of calligraphic exercises of "Gobi Ink Trace" has been published by individuals.

張景效作品3

張景效作品4

張景效先生退休后曾就讀于中國書畫函授大學書法專業,并獲得畢業證書(非學歷)和優秀學員稱號。2003年通過了ISQ9000A藝術類【書法】資質認證,由廖靜文先生簽發了資質證書,并授于“中國優秀書法家”稱號。個人書法作品及在基層社區開展書法教學工作的事跡,在懷柔報、京郊日報、北京老干部等報刊雜志和懷柔電視臺多次介紹與報道。2017年榮獲第四屆全國中老年書畫雙年展銀獎。

After his retirement, Mr. Zhang Jingxiao studied calligraphy at the Chinese Calligraphy and Painting Correspondence University, and obtained his diploma (non-academic) and the title of excellent student. In 2003, it passed the ISQ9000A certification of artistic [calligraphy]. Mr. Liao Jingwen issued the certificate of qualification and was awarded the title of "Excellent Chinese Calligrapher". Individual calligraphy works and the stories of calligraphy teaching in grass-roots communities have been introduced and reported in newspapers and magazines such as Huairou Daily, Beijing Suburb Daily, Beijing veteran cadres and Huairou TV station. In 2017, he won the silver prize of the 4th National Biennial Exhibition of Calligraphy and Painting for the Middle and Old Aged.

張景效作品5

張景效作品6

情感真摯,氣象萬千——張景效書法印象

唐張懷瓘《書斷》有云:“詢八體盡能,筆力險勁,篆體尤精,飛白冠絕,峻于古人,猶龍蛇戰斗之象,云霧輕寵之勢,風旋雷激,操舉若神。真行之朽出于大令,別成一體,森森然若武庫矛戟,風神嚴于智水,潤色寡于虞世南。其草書迭蕩流通,視之二王,可為動色,然驚其跳駿,不避危險,傷于清雅之致。”

張景效先生楷書從顏真卿、虞世南一路而來,卻更趨于平正中和。其書用筆方圓兼施,以方為主,點畫飽滿,筆力勁健。在體勢上既欹側險峻,又嚴謹工整,欹側中保持穩健,緊湊中不失疏朗,章法顯得寬松而清晰。字體結構典雅大方,法式嚴謹而不失活潑,看似平正,實則險勁。

Sincere Feelings and Ten Thousands of Meteorologies: Zhang Jingxian's Impression of Calligraphy

Tang Zhang Huaibao's Shu Shu Shu Shu Shu Duan has a cloud: "Asking for eight strokes, the brushwork is dangerous, the seal body is excellent, flying white crown is excellent, steep than the ancients, the image of fighting the dragon and snake, the tendency of light favor of clouds and fog, the wind and thunderstorm are fierce, acting like a god." The decadence of real deeds comes from the decree, and is not a whole. It is like a spear in a military arsenal. The spirit of wind is more strict than that of wisdom and water, and its embellishment is less than that of Yu Shinan. Their cursive scripts are circulating repeatedly, and they can be regarded as two kings. However, they are frightened to jump on the steed, avoid danger and hurt the elegance.

Mr. Zhang Jingxiao's regular script came all the way from Yan Zhenqing and Yu Shinan, but it tended to be even and neutral. The book uses both square and round strokes, mainly square strokes, full stippling and vigorous strokes. It is not only steep but also rigorous and neat in physique. It keeps steady in its side, and is not lost in its compactness. Its rules are relaxed and clear. The font structure is elegant and generous, the French style is rigorous and lively, seemingly plain, but actually dangerous.

張景效作品7

劉熙載在《書概》中說:“書要兼備陰陽二氣,大凡沉著屈郁,陰也;奇拔豪放,陽也。高韻深情,堅質豪氣,缺一不可以為書。”蔡希綜《法書論》中亦有:“每字皆須骨氣雄強,爽爽然有飛動之勢。”自古書法以氣韻為上,氣是書法作品生命的本源,是書法本體所表現的精神狀態。而先生的行草書又是另外一種面貌:點畫雖然瘦硬,但神采豐潤飽滿,向上的挑筆出鋒含蓄,帶有隸書筆意。他在創作時不再注重炫技的細節,而是回歸到書寫的混蒙狀態,以混元、質樸、直接的方式直取書法的內核,憑藉扎實的筆法功底,又在意識流淌的過程中,將感性的意緒化為書寫的痕跡。

當代書法極其繁榮而又魚龍混雜,在這種氛圍里,他既要以自己的方式與古人對話,將歷代各種書體的線條、結構、特征、風韻、氣度等等因素提煉出來,又要將它們升華,融入到自己的筆墨精神中,來創造出合乎現代審美需求的作品。我們仍然可以將他的書風歸為“二王”書風的延續,卻別出奇樣,展現出思想的色澤和意志的力量。

這些書法作品情感真摯,大氣磅礴。他將豐富的情感化入書法的點線之中,或澎湃如海濤,或纏綿如溪流,或頓挫如群山,洋溢著一種陽剛、雄強、正大的氣象。

Liu Xizai said in his book Outline: "Books should have both Yin and Yang, and most of them are calm and depressed, Yin is also; Qiba bold and unconstrained, Yang is also. High rhyme, deep affection, strong courage, lack of one can not be a book. In Cai Xizong's On Calligraphy, there is also a saying: "Every word must be bold and vigorous, refreshing and flying." Since ancient times, calligraphy has been based on charm. Qi is the source of life of calligraphy works and the spiritual state of calligraphy itself. And Mr. Hu's cursive script is another kind of appearance: although the dot painting is thin and hard, it is full of vigor and vitality, and the upward choice of strokes is implicit, with the meaning of Li Shu. In his creation, he no longer pays attention to dazzling details, but returns to the confused state of writing. He takes the core of calligraphy in a mixed, simple and direct way, relies on solid brushwork skills, and in the process of consciousness flowing, turns the emotional feelings into the traces of writing.

Contemporary calligraphy is extremely prosperous and mixed with fishes and dragons. In this atmosphere, he should not only dialogue with the ancients in his own way, extract the lines, structure, characteristics, charm, demeanor and other factors of all kinds of calligraphy in the past dynasties, but also sublimate them into his pen and ink spirit to create works that meet the needs of modern aesthetics. We can still attribute his style of writing to the continuation of the style of "Two Kings", but it is extraordinary to show the color of thought and the power of will.

These calligraphy works are sincere and magnificent. He transformed his rich emotions into the points and lines of calligraphy, or surging like waves, or lingering like streams, or setbacks like mountains, overflowing with a kind of masculine, powerful and magnificent atmosphere.

張景效作品8

張景效作品9

張景效作品10

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